The growth of Smash events has provided unique challenges for event coordinators. Within the past five years alone, viewership has blossomed from the hundreds to the thousands. Although this is a boon for the Smash community, this also raises concerns about the stability of the scene. How will coordinators, for example, sustain the ecosystem while nurturing the growth of scene?In lieu of these challenges, the Smash community launched its own compendium for events utilizing Smash.gg as a platform. The compendium store sells merchandise and content provided by community members in order to raise funds for events. Events like Genesis and The Big House use these profits to fund extra perks, such as all-day friendly rooms, flights and accommodations for top players, as well as larger prize pots for the winners. Over the past two years, the compendium has quickly grown as the fundraising platform for Smash events.The necessity of crowdfundingFor many players, the compendium has been integral to helping them travel to major events. Many esports teams have added top Smash players, but there are still many players that have to cover their own travel costs. Mustafa Ice Akcakaya, a top-15 player from Germany, reflects on the compendium:The compendiums have been a great help to me, he said. And I thank the community for supporting me to go to events that I would have not been able to otherwise.In previous years, events were much more manageable for grassroots Smash organizers. Robin Harn, the event coordinator of The Big House series, ran the first Big House tournament in 2011 by hosting115 players in a University of Michigan ballroom. Since then -- thanks in part to the Smash Documentary that ignited the growing interest in Smash -- attendance has skyrocketed.Unfortunately, scalability becomes a larger concern. Smash events have grown beyond card shops and college classrooms, as organizers now have to turn to hotel ballrooms and convention centers. Production costs have also skyrocketed, now that high-quality streams, videos and peripheral content become essential to events. Harn and several others have realized that crowdfunding remains a popular option for other industries.Through a collaborative effort with other organizers and Smash.gg, Harn helped launch The Big House compendium, an online store and content platform that supports community goals and provides more resources for events. Last year, The Big House 5 compendium added $12,000 to the prize pool, funded the regional crew battles and provided flights for international players.Overall, the goal is to empower, whether its a top player needing help to attend or a content creator who wants more eyes on their work. Tournaments such as Big House are so big yet grassroots. There is still no financial support from Nintendo, which is why the compendium style efforts are so valuable, said Harn.As Shantanu Talapatra, the CEO of Smash.gg, explained, Most other organizations focus on a top-down approach. We want to enable the esports market from a bottoms-up standpoint, where tournament organizers, content creators and players can use our platform as a resource to grow their tournaments, sales and branding.Improvements to the compendiumThe compendium hasnt been without issues, as many complained about how the earlier compendium operated. In older iterations, the event organizers predetermined the reward levels of compendiums and many community members complained that their money was going toward rewards they had no interest in. Others have complained about compendium fatigue, which is when the novelty of the compendium quickly wears off as the community becomes less enthused about buying similar items.In regard to the long term sustainability of compendiums, Harn stated, Sustaining Smash majors is still going to require eventual investment from sponsors or developers. Even if compendiums are not the answer long term, theyre a big help for now. As long as organizers create a compendium platform that empowers the free market of the Smash community, then we can get buy-in from all parties, whether its the players, spectators or content creators.While the compendium might not last forever, the community feedback helped Talapatra redesign several aspects of the compendium. Now, the community votes via Twitter to determine which players are supported with funding. Reward levels are no longer predetermined, as buyers can now allocate profits to a specific reward. The compendium continues to improve its store with unique items. The Big House 6 compendium, for example, offers top player lessons, customized GameCubes, signed controllers and top player trading cards.The benefits of the compendiumThe compendium has enabled many stakeholders of the Smash community. Aspiring content creators have an avenue to connect with a large fan base to sell their items and increase their exposure. Top players have opportunities to travel to events that they previously could not afford. Event coordinators have larger budgets to provide extra benefits for attendees. And viewers at home are treated to a much greater experience. Although the format isnt perfect yet, its a step in the right direction.Nike Zoom Goedkoop . Now tied for second in the league in shootout goals, the 24-year-old likes to see what the opposing goaltender has in store before he ultimately lands on a move. Nike Zoom Nederland . Louis Cardinals. Victorino is batting sixth and playing right field after missing two games because of back tightness. http://www.nederlandnikezoom.com/ . He says so-called TRT is only one problem and he wants to go even further than the ban. "Its about time," St-Pierre told reporters at a promotional event in Montreal on Friday. "I think its a good thing. Nike Zoom Dames Sale . 1, meaning problems for the doping controls at both major international sports events next year. The World Anti-Doping Agency provisionally suspended the Moscow Antidoping Center on Sunday, saying its operations must improve or a six-month ban on the facilitys accreditation will be imposed. Nike Zoom AanbiedingCOOPERSTOWN, N.Y. -- Baseballs Hall of Fame has again revamped its veterans committees, attempting to increase consideration for more contemporary players, managers, umpires and executives.Under the change announced Saturday by the Halls board of directors, there will be separate committees for Todays Game (1988-2016), Modern Baseball (1970-87), Golden Days (1950-69) and Early Baseball (1871-1949). Todays Game and Modern Baseball will vote twice every five years, Golden Days once every five years and Early Baseball once every 10 years.There are twice as many players in the Hall of Fame who debuted before 1950 as compared to afterward, and yet there are nearly double the eligible candidates after 1950 than prior, Hall chair Jane Forbes Clark said in a statement. Those who served the game long ago and have been evaluated many times on past ballots will now be reviewed less frequently.Todays Game will vote in 2016, `18, `21, and `23, and Modern Baseball in 2017, `19, `21 and `23. Golden Days will vote in 2020 and `25, and Early Baseball in 2020 and `30. The Halls Historical Overview Committee will decide which committee will consider those who span eras, based on the time or place of their most indelible impression.Since 2010, the Hall had established three veterans committees: Pre-Integration Era (1871-1946), Golden Era (1947-72) and Expansion Era (1973-2016). No one was elected by the Pre-Integration Era committee in December.In addition, the Hall eliminated the one-year waiting period between a players last appearance on the Baseball Writers Association of America ballot and his veterans committee debut for consideration. The Hall also saidd active executives 70 or older may be given consideration, up from 65.dddddddddddd.Committees will remain at 16 people, with a vote of at least 75 percent needed for election. The ballot size will be 10 for each committee; it had been 12 for Expansion Era and 10 for the others.The BBWAA votes on players who have been retired for at least five years and no more than 15. Ken Griffey Jr. and Mike Piazza are to be inducted Sunday.The Hall also changed some of the rules for the Ford C. Frick Award, presented annually to a broadcaster for major contributions to baseball. The committee making the annual decision will consider a three-year cycle of Current Major League Markets (team-specific announcers) for the 2017 award, National Voices for 2018 and Broadcasting Beginnings (early team voices and pioneers) for 2019.Since 2013, the Fricks three-year cycle had been High Tide Era (mid-1980s to present), Living Room Era (mid-1950s to mid-1980) and Broadcasting Dawn Era (before mid-1950s).The criteria will be commitment to excellence, quality of broadcasting abilities, reverence within the game, popularity with fans, and recognition by peers instead of longevity; continuity with a club; honors, including national assignments such as the World Series and All-Star Games; and popularity with fans.The Frick ballot size will be reduced from 10 to eight, and the three ballot spots previously determined by fan voting will be decided by historians.Ozzie Smith, inducted to the Hall in 2002, was voted to the Halls board of directors. ' ' '